Chris Liberator On The White-Washing Of Rave Culture

Simon · 2004-11-22, 05:56 PM

Chris Liberator On The White-Washing Of Rave Culture

³Acid house was a revolutionary force when it started but history is always written retrospectively and I think it¹s already been cruel on the acid house scene in general. Its history has already been brushed over, such as the fact that all these massive illegal parties actually happened, and still go on today, for example. There¹s an underbelly of London that never gets written about.²

15 years after teaming up with Aaron and Julian to form DJ crew The Liberators, Chris Liberator remains one of the best know figureheads on the acid tekno scene, the free party subculture that continues to co-exist in a parallel universe alongside mainstream club culture. Developing from the same tiny warehouse parties that spawned Ibiza superclubs and superstar DJs, London¹s free party scene instead stayed underground and usually invisible, ignored by the media, few of whom cared or dared to check it out. The exception came in 1992, when the likes of Spiral Tribe and Bedlam staged Castlemorton, the infamous outdoor mega-rave that managed to draw 20,000 revellers to a field in Western England, bringing free party culture to the masses, like never before.

Castlemorton though was to prove a turning point, its size and visibility prompting UK authorities to introduce the notorious Criminal Justice Act plus a shift back to the cities as Britain¹s travellers found themselves almost literally driven off the land. The result was the growth of an extensive urban free party scene, centred (usually) in industrial estates in the grimmer parts of London, built around multiple sound system crews and secret telephone numbers, providing multiple party locations every Saturday night. And with parties ranging in size from hundreds of revellers to literally thousands (such as when crews would team up for bigger events), a thriving word-of-mouth culture developed, attracting non-conformists, ravers and international pleasure seekers. And spinning at many of these events was Chris (plus a whole host of equally passionate like minded DJs)

³Apart from the weekend when I got married and had my honeymoon, I¹ve played records every weekend for 11 years straight and probably three or four years before that when I wasn¹t playing every weekend,² he says, ³I still get a really good buzz from playing and I still love parties.

Though for Chris it¹s always been about more than the buzz.

³History is already whitewashing over the rave scene, the drugs and the rest of it, and it¹s being presented back as something else, whereas the way I see it is like this;² he continues.

³Thousands of people took Es (ecstasy) and as a result changed their way of thinking and hence society, and I can see it on the streets today. For example, you don¹t see youth culture like it was in the 80s, when it was totally about fighting. Fucking hell, when you used to go to punk gigs you¹d get beaten up every single time by skinheads,² he recalls.

³I know so many people today on the party scene who are real criminals who changed when they took an E. They saw something else and became sensitive people. That fact doesn¹t get documented and doesn¹t get talked about, but that is a true change in society.²

He¹s equally dismissive about the historical consensus on rave culture¹s musical beginnings.

³Take Kraftwerk, for example; I love them, I went to see them live in the 80s, but I don¹t see why they¹re so massive now in terms of their influence on the electronic music scene,² says Chris.

³Or bands like Throbbing Gristle or Cabaret Voltaire- I never got into rave or techno because of those people; they weren¹t the missing link for me.²

³The 70s was a very vacuous nothing decade, apart from punk and apart from some of the really underground disco stuff, and now you¹ve got the 80s coming back with people talking about the influence of bands like Depeche Mode. I¹m like, Œno, the 80s wasn¹t like that; I lived through the 80s and I bought pretty much every underground record that came out, from Mark Stewart & The Mafia, right back to Pigbag, Gang Of Four and the Au Pairs; those were the records that mattered,² he continues.

³Why don¹t people talk about bands like The Jam, who got to number 1 and really made a point and had a strong political stance? All that seems to have been brushed aside in favour of Duran Duran and some vague irrelevant electro thing. The real electro that came out at that time seems to have been ignored.²

Skrufff (Jonty Skrufff): You¹re one of the best known most successful DJs on the scene, how easy is it to stay in touch with your roots?

Chris Liberator: ³A lot of people often say Œit¹s great that you DJ and get to travel around the world¹ to which I reply Œyes, that¹s obviously what we do every weekend, but we still play on the underground, we still play squat parties and we still play lots of places for pretty much fuck-all. It¹s not all first class flights and great parties, a lot of it is flying to places and playing for very little money. They¹re usually fantastic parties and it¹s still a fantastic scene but the other side of it is all the work involved in doing all the labels. In the last couple of years we¹ve been really hammered and fucked over, with various business problems.²

Skrufff: how many labels are you involved with?

Chris Liberator: ³We¹ve got 15 labels in the collective now and me and Aaron

(Liberator) pretty much do everything; all the admin, the production, the accounting and all the tax, the royalties, the VAT; every single side of it. Then we¹re also connected up with a pressing plant and that¹s another collectively run project, with loads of different labels, squat party people and distributors involved. Keeping the whole thing afloat is a bit of a struggle and that¹s what takes up all my time.²

Skrufff: Is it fair to say the common thread to all 15 labels remains techno?

Chris Liberator: ³We did have a breaks label for a while but it¹s gone into hibernation for a while, it¹s run by Ben and he¹s had a baby recently so he hasn¹t had time to keep the label going. We were also going to do something with Tsyoshi at one point, on more of an electroclash vibe, but that¹s not happening for now. We¹re thinking of other projects and we¹re not just limited to techno, but, yeah, obviously, that¹s what we¹re into.²

Skrufff: What¹s your position on file sharing and people downloading tracks for free?

Chris Liberator: ³On the one hand I¹m into free music and I support people having access to all kinds of music, and file sharing is also good in the way it¹s shaking up the music business, which certainly needed shaking up. The music business has always been about exploiting artists and exploiting people, such as CDs, for example, which were a new format which wasn¹t basically needed. By introducing CDs they fucked up vinyl and tried to get rid of it, though obviously failed because people like us are still putting out vinyl today. Basically, they got greedy and the pay back is now.

But having said that I also don¹t like people blatantly ripping us off with downloads. We¹re the people that really are at the bottom end of the pile and when people are out there to fuck us up, then I don¹t like that. I don¹t mind people who really can¹t afford to buy the music, getting it by other means but I don¹t like it when we release a new track, then 5 minutes it¹s posted on the net. That¹s galling. I understand people¹s position, I¹ve been poor and I know what it¹s like to not be able to get things that you want. Musical piracy is all right really as long as it¹s not a pure rip off; I don¹t like anybody ripping us off. If someone¹s out there and they¹re like Œgreat we¹re gonna nick this, download and get everyone to be able to download it by just putting it up on another site, I think that¹s wrong. There¹s enough free music out there of ours, we do support it and help people put out mixes. We¹ve licensed our stuff for virtually nothing, it is available cheaply and free.²

Skrufff: The UK authorities recently tightened up the Criminal justice Act to directly targeted warehouse parties, what¹s your assessment of the squat party scene right now?

Chris Liberator: ³There has been a lot more fuss recently with more actions by the police down in Bristol, for example, and in London it¹s been the same, with lots of people getting their rigs (sound systems-slang Ed) impounded and parties getting stopped on Sunday mornings. But having said that, there have still been regular parties going ahead and running through until Monday. I don¹t know if it¹s because of these new laws that these raids have been happening, I think it¹s more a case of the police trying to keep it under control generally.²

Skrufff: Don¹t you see the new laws as the first step in a renewed attack?

Chris Liberator: ³I don¹t know, I tend to think the scene has got very paranoid, generally. People like to say Œwe¹re gonna¹ get fucked over, they¹re tapping our phones¹ whereas I don¹t think the police really give a shit (care-SE). A lot of the time the powers-that-be (authorities) seem to take the attitude that while they don¹t want the parties happening, they do happen anyway; I think they just don¹t want them on the scale of big festivals or parties in urban areas where they¹re a nuisance. So they wanted laws to curb that nuisance. If you do parties on industrial estates in the middle of nowhere, I still don¹t think anybody gives a shit. Unless a neighbour complains, at which point they have to act, which is when they need the powers to make sure it gets stopped. For example, there was a party in Camden recently where there were loads of complaints about noise and litter afterwards and those are the kind of parties they want to stop and they will. But they¹ve been stopping parties like that for years. There¹s long been an understanding from the rigs and the crews that if you¹re going to make loads of noise where there¹s lots of people nearby, you¹re going to get stopped by the police. And these days they will stop you and they will take your rig.²

Skrufff: So you remain optimistic?

Chris Liberator: ³Well, who knows, the situation could easily change. The laws are there now, so they can use them any time they want now but they¹ve been there since the Criminal Justice Bill came in, in 1994.. They don¹t use them very often, like they don¹t for many forms of law breaking. For example, if you¹re smoking a joint and walking down the street you¹re not going to get arrested these days unless a particular copper (policeman) gets narked (angry). There¹s lots of laws like that, which they let go because it¹s too much hassle for them. Outside of London it¹s different, though.²

Skrufff: You¹ve been at scores of parties where the police have turned up outside and threatened to bust in, have you been arrested very often?

Chris Liberator: ³I¹ve never been arrested at a party, no. I¹ve physically been stopped playing records at least five times, not just in the UK, I¹ve been in much more hairy (scary) situations abroad. Not just in parties either, but in clubs. I¹ve been hit by a policeman at a party in Yugoslavia, once, he literally physically stopped from playing. He hit me from behind the back of the head and I didn¹t even see it coming; I fell over. Then in France at one of the first teknivals, the CRS (French riot police) came on site with guns. To be honest, it¹s usually OK with the police, they don¹t normally do anything rash, such as steaming in with bulldozers which they did once in France at a Spiral Tribe party. They normally give you a chance and talk to you beforehand. If they¹re going to take action, they¹ll tell you they¹re going to take action and they¹ll give you a warning. Normally. Then every so often, they won¹t. Luckily, whenever that¹s happened I¹ve managed to get out.²

Skrufff: What have been some of your greater escapes?

Chris Liberator: ³Once in the early 90s the police steamed in unannounced at a party in Brixton and we literally grabbed our decks and ran. I remember someone saying to me a couple of days later ŒI saw you running down Brixton High Street with a record deck under your arm¹. There¹s another great story about Aztec, who when he was caught up in a raid told the police Œlook, I¹m in the middle of mixing, wait five minutes¹. Mostly the hairest (heaviest) thing that happens is that they seize the rigs or arrest people when they¹ve warned them and they haven¹t stopped. Occasionally, such as in Bristol recently, they do arrest a lot of people; that kind of thing does happen from time to time, in London occasionally too, though if it happens to you, you just have to think you¹ve been very unlucky.²

Skrufff: Is America a place you still DJ in much?

Chris Liberator: ³I still visit there.²

Skrufff: Are you up on the RAVE Act?

Chris Liberator: ³Oh yeah, it¹s destroyed the scene, it¹s totally fucked it over there. Dave DDR is over there and he¹s part of a group of people that has been trying to organise things but you can¹t fight the law there like you can here. Since 911, America has been a lot more full-on politically and a lot of people there are starting to realise they¹re not quite as free as they thought they were. Again, people are scared of crossing the line there; people who have staged parties have been really fucked over by the authorities. And in The States it¹s not even that easy to hold events in clubs anymore.²

Skrufff: Do you feel a sense of purpose or destiny with what you do?

Chris Liberator: ³I¹m seeking a better way of life, full stop. I think we are moving towards a spiritual age. If you look at the history of the earth given what little we know it¹s pretty clear that humans are pretty inconsequential. If there is any pattern, it¹s to try and make it better for people now and for the next generation. But in the long term, I don¹t even think humans will be here for much longer and I don¹t really care either. Though to think that we¹re at the end of history is an egotistical way to think, but we¹ve been given an ego and that¹s the way we are. But we can¹t understand why we¹re here, those questions are so immense. I¹m only driven in the sense that I think we can make it better now for ourselves. A lot of foolish things happen which create misery in the world now.²

Skrufff: How do you view the term underground?

Chris Liberator: ³The underground scene in any sense is about people doing things for themselves, and believing in something because it generates things for people, and that¹s a good thing. Corporate greedy thinking and misinformation is bad and the only way you can make those things better is by living your life in a way that makes it better; by example. I¹m not saying I¹m perfect, but my mission is to try and live by example; to try and be one DJ who doesn¹t just sell out and rip everybody off.²

Jonty Skrufff (Skrufff.com)

ramz · 2004-11-22, 09:05 PM

Chris Liberator's new track is phenomenal... :) Nothing enlightening to add... it just rocks... :)

Scorched Earth · 2004-11-23, 10:33 AM

Chris just rocks. As a DJ, as a producer and he is a really chill guy as well. I've had the opportunity to hang out with him a few times and it provided for some lovely conversation. He is very sincere and has not let his fame get to his head.

2004-11-22, 05:56 PM	#1
Simon Don't Be a Tease Join Date: Sep 2001 Location: Adams Morgan Posts: 1,794	Chris Liberator On The White-Washing Of Rave Culture Chris Liberator On The White-Washing Of Rave Culture ³Acid house was a revolutionary force when it started but history is always written retrospectively and I think it¹s already been cruel on the acid house scene in general. Its history has already been brushed over, such as the fact that all these massive illegal parties actually happened, and still go on today, for example. There¹s an underbelly of London that never gets written about.² 15 years after teaming up with Aaron and Julian to form DJ crew The Liberators, Chris Liberator remains one of the best know figureheads on the acid tekno scene, the free party subculture that continues to co-exist in a parallel universe alongside mainstream club culture. Developing from the same tiny warehouse parties that spawned Ibiza superclubs and superstar DJs, London¹s free party scene instead stayed underground and usually invisible, ignored by the media, few of whom cared or dared to check it out. The exception came in 1992, when the likes of Spiral Tribe and Bedlam staged Castlemorton, the infamous outdoor mega-rave that managed to draw 20,000 revellers to a field in Western England, bringing free party culture to the masses, like never before. Castlemorton though was to prove a turning point, its size and visibility prompting UK authorities to introduce the notorious Criminal Justice Act plus a shift back to the cities as Britain¹s travellers found themselves almost literally driven off the land. The result was the growth of an extensive urban free party scene, centred (usually) in industrial estates in the grimmer parts of London, built around multiple sound system crews and secret telephone numbers, providing multiple party locations every Saturday night. And with parties ranging in size from hundreds of revellers to literally thousands (such as when crews would team up for bigger events), a thriving word-of-mouth culture developed, attracting non-conformists, ravers and international pleasure seekers. And spinning at many of these events was Chris (plus a whole host of equally passionate like minded DJs) ³Apart from the weekend when I got married and had my honeymoon, I¹ve played records every weekend for 11 years straight and probably three or four years before that when I wasn¹t playing every weekend,² he says, ³I still get a really good buzz from playing and I still love parties. Though for Chris it¹s always been about more than the buzz. ³History is already whitewashing over the rave scene, the drugs and the rest of it, and it¹s being presented back as something else, whereas the way I see it is like this;² he continues. ³Thousands of people took Es (ecstasy) and as a result changed their way of thinking and hence society, and I can see it on the streets today. For example, you don¹t see youth culture like it was in the 80s, when it was totally about fighting. Fucking hell, when you used to go to punk gigs you¹d get beaten up every single time by skinheads,² he recalls. ³I know so many people today on the party scene who are real criminals who changed when they took an E. They saw something else and became sensitive people. That fact doesn¹t get documented and doesn¹t get talked about, but that is a true change in society.² He¹s equally dismissive about the historical consensus on rave culture¹s musical beginnings. ³Take Kraftwerk, for example; I love them, I went to see them live in the 80s, but I don¹t see why they¹re so massive now in terms of their influence on the electronic music scene,² says Chris. ³Or bands like Throbbing Gristle or Cabaret Voltaire- I never got into rave or techno because of those people; they weren¹t the missing link for me.² ³The 70s was a very vacuous nothing decade, apart from punk and apart from some of the really underground disco stuff, and now you¹ve got the 80s coming back with people talking about the influence of bands like Depeche Mode. I¹m like, Œno, the 80s wasn¹t like that; I lived through the 80s and I bought pretty much every underground record that came out, from Mark Stewart & The Mafia, right back to Pigbag, Gang Of Four and the Au Pairs; those were the records that mattered,² he continues. ³Why don¹t people talk about bands like The Jam, who got to number 1 and really made a point and had a strong political stance? All that seems to have been brushed aside in favour of Duran Duran and some vague irrelevant electro thing. The real electro that came out at that time seems to have been ignored.² Skrufff (Jonty Skrufff): You¹re one of the best known most successful DJs on the scene, how easy is it to stay in touch with your roots? Chris Liberator: ³A lot of people often say Œit¹s great that you DJ and get to travel around the world¹ to which I reply Œyes, that¹s obviously what we do every weekend, but we still play on the underground, we still play squat parties and we still play lots of places for pretty much fuck-all. It¹s not all first class flights and great parties, a lot of it is flying to places and playing for very little money. They¹re usually fantastic parties and it¹s still a fantastic scene but the other side of it is all the work involved in doing all the labels. In the last couple of years we¹ve been really hammered and fucked over, with various business problems.² Skrufff: how many labels are you involved with? Chris Liberator: ³We¹ve got 15 labels in the collective now and me and Aaron (Liberator) pretty much do everything; all the admin, the production, the accounting and all the tax, the royalties, the VAT; every single side of it. Then we¹re also connected up with a pressing plant and that¹s another collectively run project, with loads of different labels, squat party people and distributors involved. Keeping the whole thing afloat is a bit of a struggle and that¹s what takes up all my time.² Skrufff: Is it fair to say the common thread to all 15 labels remains techno? Chris Liberator: ³We did have a breaks label for a while but it¹s gone into hibernation for a while, it¹s run by Ben and he¹s had a baby recently so he hasn¹t had time to keep the label going. We were also going to do something with Tsyoshi at one point, on more of an electroclash vibe, but that¹s not happening for now. We¹re thinking of other projects and we¹re not just limited to techno, but, yeah, obviously, that¹s what we¹re into.² Skrufff: What¹s your position on file sharing and people downloading tracks for free? Chris Liberator: ³On the one hand I¹m into free music and I support people having access to all kinds of music, and file sharing is also good in the way it¹s shaking up the music business, which certainly needed shaking up. The music business has always been about exploiting artists and exploiting people, such as CDs, for example, which were a new format which wasn¹t basically needed. By introducing CDs they fucked up vinyl and tried to get rid of it, though obviously failed because people like us are still putting out vinyl today. Basically, they got greedy and the pay back is now. But having said that I also don¹t like people blatantly ripping us off with downloads. We¹re the people that really are at the bottom end of the pile and when people are out there to fuck us up, then I don¹t like that. I don¹t mind people who really can¹t afford to buy the music, getting it by other means but I don¹t like it when we release a new track, then 5 minutes it¹s posted on the net. That¹s galling. I understand people¹s position, I¹ve been poor and I know what it¹s like to not be able to get things that you want. Musical piracy is all right really as long as it¹s not a pure rip off; I don¹t like anybody ripping us off. If someone¹s out there and they¹re like Œgreat we¹re gonna nick this, download and get everyone to be able to download it by just putting it up on another site, I think that¹s wrong. There¹s enough free music out there of ours, we do support it and help people put out mixes. We¹ve licensed our stuff for virtually nothing, it is available cheaply and free.² Skrufff: The UK authorities recently tightened up the Criminal justice Act to directly targeted warehouse parties, what¹s your assessment of the squat party scene right now? Chris Liberator: ³There has been a lot more fuss recently with more actions by the police down in Bristol, for example, and in London it¹s been the same, with lots of people getting their rigs (sound systems-slang Ed) impounded and parties getting stopped on Sunday mornings. But having said that, there have still been regular parties going ahead and running through until Monday. I don¹t know if it¹s because of these new laws that these raids have been happening, I think it¹s more a case of the police trying to keep it under control generally.² Skrufff: Don¹t you see the new laws as the first step in a renewed attack? Chris Liberator: ³I don¹t know, I tend to think the scene has got very paranoid, generally. People like to say Œwe¹re gonna¹ get fucked over, they¹re tapping our phones¹ whereas I don¹t think the police really give a shit (care-SE). A lot of the time the powers-that-be (authorities) seem to take the attitude that while they don¹t want the parties happening, they do happen anyway; I think they just don¹t want them on the scale of big festivals or parties in urban areas where they¹re a nuisance. So they wanted laws to curb that nuisance. If you do parties on industrial estates in the middle of nowhere, I still don¹t think anybody gives a shit. Unless a neighbour complains, at which point they have to act, which is when they need the powers to make sure it gets stopped. For example, there was a party in Camden recently where there were loads of complaints about noise and litter afterwards and those are the kind of parties they want to stop and they will. But they¹ve been stopping parties like that for years. There¹s long been an understanding from the rigs and the crews that if you¹re going to make loads of noise where there¹s lots of people nearby, you¹re going to get stopped by the police. And these days they will stop you and they will take your rig.² Skrufff: So you remain optimistic? Chris Liberator: ³Well, who knows, the situation could easily change. The laws are there now, so they can use them any time they want now but they¹ve been there since the Criminal Justice Bill came in, in 1994.. They don¹t use them very often, like they don¹t for many forms of law breaking. For example, if you¹re smoking a joint and walking down the street you¹re not going to get arrested these days unless a particular copper (policeman) gets narked (angry). There¹s lots of laws like that, which they let go because it¹s too much hassle for them. Outside of London it¹s different, though.² Skrufff: You¹ve been at scores of parties where the police have turned up outside and threatened to bust in, have you been arrested very often? Chris Liberator: ³I¹ve never been arrested at a party, no. I¹ve physically been stopped playing records at least five times, not just in the UK, I¹ve been in much more hairy (scary) situations abroad. Not just in parties either, but in clubs. I¹ve been hit by a policeman at a party in Yugoslavia, once, he literally physically stopped from playing. He hit me from behind the back of the head and I didn¹t even see it coming; I fell over. Then in France at one of the first teknivals, the CRS (French riot police) came on site with guns. To be honest, it¹s usually OK with the police, they don¹t normally do anything rash, such as steaming in with bulldozers which they did once in France at a Spiral Tribe party. They normally give you a chance and talk to you beforehand. If they¹re going to take action, they¹ll tell you they¹re going to take action and they¹ll give you a warning. Normally. Then every so often, they won¹t. Luckily, whenever that¹s happened I¹ve managed to get out.² Skrufff: What have been some of your greater escapes? Chris Liberator: ³Once in the early 90s the police steamed in unannounced at a party in Brixton and we literally grabbed our decks and ran. I remember someone saying to me a couple of days later ŒI saw you running down Brixton High Street with a record deck under your arm¹. There¹s another great story about Aztec, who when he was caught up in a raid told the police Œlook, I¹m in the middle of mixing, wait five minutes¹. Mostly the hairest (heaviest) thing that happens is that they seize the rigs or arrest people when they¹ve warned them and they haven¹t stopped. Occasionally, such as in Bristol recently, they do arrest a lot of people; that kind of thing does happen from time to time, in London occasionally too, though if it happens to you, you just have to think you¹ve been very unlucky.² Skrufff: Is America a place you still DJ in much? Chris Liberator: ³I still visit there.² Skrufff: Are you up on the RAVE Act? Chris Liberator: ³Oh yeah, it¹s destroyed the scene, it¹s totally fucked it over there. Dave DDR is over there and he¹s part of a group of people that has been trying to organise things but you can¹t fight the law there like you can here. Since 911, America has been a lot more full-on politically and a lot of people there are starting to realise they¹re not quite as free as they thought they were. Again, people are scared of crossing the line there; people who have staged parties have been really fucked over by the authorities. And in The States it¹s not even that easy to hold events in clubs anymore.² Skrufff: Do you feel a sense of purpose or destiny with what you do? Chris Liberator: ³I¹m seeking a better way of life, full stop. I think we are moving towards a spiritual age. If you look at the history of the earth given what little we know it¹s pretty clear that humans are pretty inconsequential. If there is any pattern, it¹s to try and make it better for people now and for the next generation. But in the long term, I don¹t even think humans will be here for much longer and I don¹t really care either. Though to think that we¹re at the end of history is an egotistical way to think, but we¹ve been given an ego and that¹s the way we are. But we can¹t understand why we¹re here, those questions are so immense. I¹m only driven in the sense that I think we can make it better now for ourselves. A lot of foolish things happen which create misery in the world now.² Skrufff: How do you view the term underground? Chris Liberator: ³The underground scene in any sense is about people doing things for themselves, and believing in something because it generates things for people, and that¹s a good thing. Corporate greedy thinking and misinformation is bad and the only way you can make those things better is by living your life in a way that makes it better; by example. I¹m not saying I¹m perfect, but my mission is to try and live by example; to try and be one DJ who doesn¹t just sell out and rip everybody off.² Jonty Skrufff (Skrufff.com) __________________ I hate that even Simon is tall enough to use me as a kickstand. :( - sassypance http://djsimon.net http://sleazedc.com http://myspace.com/simonpattee http://www.facebook.com/djsimondc

2004-11-22, 09:05 PM	#2
ramz dee tΩ the eye Join Date: Apr 2004 Location: Alexandria, VA Posts: 15,947	Chris Liberator's new track is phenomenal... :) Nothing enlightening to add... it just rocks... :) __________________ ////// FR.02.19 - Snatch Rewired - STAR EYES // ANNALYZE // INNA K @ MUSE \| district ignition \| facebook.com/djramz ////// "I have deemed trampoline not part of mnmlife" -- Sanath

2004-11-23, 10:33 AM	#3
Scorched Earth Nak Muay Join Date: Feb 2004 Location: VA Posts: 883	Chris just rocks. As a DJ, as a producer and he is a really chill guy as well. I've had the opportunity to hang out with him a few times and it provided for some lovely conversation. He is very sincere and has not let his fame get to his head. __________________ There is no such thing as happy hardcore, there is happy music and then there is hardcore.

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