EIGHTYEIGHTDC
2009-03-26, 02:08 PM
We are proud to announce that 88 will continue to bring you the best regional, national, and international techno talent on the 1st floor each and every Thursday at The Muse and will be joined by our brothers at ELM - who will now be on the 2nd Floor each week! Expect ELM to bring house, funk, rare/nu/cosmic disco, and midtempo beats.
WE'RE STARTING OUT OUR NEW PARTNERSHIP WITH A LINEUP THATS GUARANTEED TO MAKE YOU DROOL!
http://i192.photobucket.com/albums/z42/iimedia/TEC_flyerFRONT_403.jpg http://i192.photobucket.com/albums/z42/iimedia/TEC_flyerBACK_403.jpg
1st Floor - 88
JEREMY CAULFIELD
(Dumb Unit - Berlin)
Measax + Docindo
(88, Stirsound - DC)
2nd Floor - ELM
Q-BURNS ABSTRACT MESSAGE
(Eight-Tracks - Orlando)
Lovegrove
(Sonic Soul - Baltimore)
The Electric Cabaret is EVERY THURSDAY @ MUSE
717 6th St NW DC | 202.842.9800
18+ to Enter
$10 General Admission
FREE ADMISSION Before Midnight for 21+ w/ Facebook RSVP:
http://www.facebook.com/event.php?eid=65645232135
OPEN BAR FROM 10-11PM
http://i192.photobucket.com/albums/z42/iimedia/jeremyCaulfield.jpg
http://www.myspace.com/jpcaulfield
http://dumb-unit.com/
JEREMY CAULFIELD BIO:
At a time when so much techno feels like endless variations on a played-out theme, it’s heartening to know that there are still a handful of artists, labels and DJs who can combine experience, skill and forward-looking ideals in style. Step forward Jeremy P. Caulfield, who amply ticks all of the above boxes.
As proprietor of leading neuro-minimal imprint Dumb-Unit, DJ of widely-acclaimed repute, and occasional producer of stripped-back, ominous dancefloor bombs, Jeremy has emerged from his early days on the Canadian techno circuit to become a leading light of today’s underground club scene. Using his fifteen years of DJing experience as a springboard, Jeremy has utilised Dumb-Unit as a pivotal platform for the blossoming careers of artists including Butane, Lee Curtiss, Sweet N’ Candy and Seph, loosely defining a hinterland micro-scene of murky, intricate sounds that play with the darkest recesses of the mind while remaining firmly attached the propulsive drive of the dance-floor.
It’s an ambiguous definition best articulated by his series of Detached:Works mix tapes and CDs, which over the course of three volumes and 10 years neatly plots Jeremy’s evolution from sparky underground enthusiast to undisputed connoisseur of finely-tuned contemporary techno. From early residencies at Toronto’s legendary Blue and Fukhouse parties (where he knocked around with like-minded local jocks Adam Marshall, Ian Guthrie and Jeff Milligan, while playing alongside techno deities like Richie Hawtin, Derrick May and Jeff Mills), Jeremy’s established himself as one of North America’s finest DJs. In 2008 alone, alongside his residency at Watergate, (in his adopted home of Berlin) Jeremy has played nearly every weekend across the globe, including gigs at renown clubs and festivals such as Fabric, Fuse, Mutek, and the Sonne Mond Sterne Festival and tours of Japan, Australia and South America .
Meanwhile, his rare but intricate rocking live shows surface every once in a while to remind us that his darkly-tinged, boiled-down beats and distantly unsettling grooves are one of the most precious jewels in the jagged DU crown. Check his killer releases Dumb-Unit, Trapez and WMF if you need any proof.
Somewhere between his smart, re-edit heavy sets, his vigorously spiky artist releases, and his scandalously consistent label, there lurks the charred, elusive heart of Jeremy P. Caulfield. The fun part is trying to find it.
http://i192.photobucket.com/albums/z42/iimedia/qBurns.jpg
http://www.myspace.com/qburnsabstractmessage
http://www.q-burnsabstractmessage.com
Q-BURNS ABSTRACT MESSAGE BIO:
In the realm of dance music, there are few producers that thrive on blurring the boundary between eclectic experimenter and populist ass-shaker as much as Q-Burns Abstract Message. Equally comfortable covering Krautrock legends Faust or dropping his favorite chunky house grooves into the mix, Q-BAM—known to his parents as Michael Donaldson—is indeed the rare auteur. Whether globe-trotting as a DJ, co-running the Eighth Dimension Records label, remixing artists like Rabbit in the Moon, Fila Brazillia and Lawrence Welk, or recording his own original productions, Donaldson is all about the coaxing the maximum soul out of the machine.
Based in Orlando since the early-’90s, the former record shop owner and college radio DJ has spent the past two decades developing a sound that is obsessively devoted to the funk. His animated, vodka-soaked DJ sets have won audiences for the well-traveled Donaldson from San Francisco to (literally) Siberia, and landed him primo opening slots for GusGus, Chemical Brothers and Meat Beat Manifesto.
However, it’s his playful rhythms, surprising melodic themes and not-so-surprising Eno-esque textures that demand attention. An accomplished indie musician prior to releasing his first single as Q-BAM—the breakbeat noir of “141 Revenge Street” in 1995—Donaldson is first and foremost a songwriter, albeit one that is just as enamored with the sheer power of the groove.
With a trusty Roland Juno 106 synth at his side, Q-BAM released three full-length albums via the respected electronic label Astralwerks, including Invisible Airline which featured several collaborations with vocalist Lisa Shaw. He has recorded numerous singles for house-centric imprints such as Brique Rouge, Slip N’ Slide, NRK and of course, Eighth Dimension. Q-BAM was also one of the talented producers on alt-country icon Jim White’s 2001 Luaka Bop release No Such Place. The album cast White’s stark vocals in a wasteland of dusty beats and ghostly slide guitars, with Donaldson’s tracks providing some of its most intoxicating moments.
Though his “endless summer” schedule—more than 100 DJ dates annually—and ongoing production projects would seemingly exhaust a mere mortal, Q-BAM rather enjoys this 120-bpm soundtrack. Accordingly, Donaldson and fellow Orlando producer/DJ Atnarko recently launched the vinyl-only label EIGHT-TRACKS, dedicated to releasing “strange sounds that you can dance to,” says Q-BAM himself. Additionally, house imprint Agave Records has tapped Donaldson to throw down a mix CD titled Agave Nectar Vol. 1, now available in fine records shops worldwide..
As if there wasn’t already enough deliciously warm and gooey queso already piled high on his plate, Q-BAM is also hard at work recording his fourth album, due out in 2008.
WE'RE STARTING OUT OUR NEW PARTNERSHIP WITH A LINEUP THATS GUARANTEED TO MAKE YOU DROOL!
http://i192.photobucket.com/albums/z42/iimedia/TEC_flyerFRONT_403.jpg http://i192.photobucket.com/albums/z42/iimedia/TEC_flyerBACK_403.jpg
1st Floor - 88
JEREMY CAULFIELD
(Dumb Unit - Berlin)
Measax + Docindo
(88, Stirsound - DC)
2nd Floor - ELM
Q-BURNS ABSTRACT MESSAGE
(Eight-Tracks - Orlando)
Lovegrove
(Sonic Soul - Baltimore)
The Electric Cabaret is EVERY THURSDAY @ MUSE
717 6th St NW DC | 202.842.9800
18+ to Enter
$10 General Admission
FREE ADMISSION Before Midnight for 21+ w/ Facebook RSVP:
http://www.facebook.com/event.php?eid=65645232135
OPEN BAR FROM 10-11PM
http://i192.photobucket.com/albums/z42/iimedia/jeremyCaulfield.jpg
http://www.myspace.com/jpcaulfield
http://dumb-unit.com/
JEREMY CAULFIELD BIO:
At a time when so much techno feels like endless variations on a played-out theme, it’s heartening to know that there are still a handful of artists, labels and DJs who can combine experience, skill and forward-looking ideals in style. Step forward Jeremy P. Caulfield, who amply ticks all of the above boxes.
As proprietor of leading neuro-minimal imprint Dumb-Unit, DJ of widely-acclaimed repute, and occasional producer of stripped-back, ominous dancefloor bombs, Jeremy has emerged from his early days on the Canadian techno circuit to become a leading light of today’s underground club scene. Using his fifteen years of DJing experience as a springboard, Jeremy has utilised Dumb-Unit as a pivotal platform for the blossoming careers of artists including Butane, Lee Curtiss, Sweet N’ Candy and Seph, loosely defining a hinterland micro-scene of murky, intricate sounds that play with the darkest recesses of the mind while remaining firmly attached the propulsive drive of the dance-floor.
It’s an ambiguous definition best articulated by his series of Detached:Works mix tapes and CDs, which over the course of three volumes and 10 years neatly plots Jeremy’s evolution from sparky underground enthusiast to undisputed connoisseur of finely-tuned contemporary techno. From early residencies at Toronto’s legendary Blue and Fukhouse parties (where he knocked around with like-minded local jocks Adam Marshall, Ian Guthrie and Jeff Milligan, while playing alongside techno deities like Richie Hawtin, Derrick May and Jeff Mills), Jeremy’s established himself as one of North America’s finest DJs. In 2008 alone, alongside his residency at Watergate, (in his adopted home of Berlin) Jeremy has played nearly every weekend across the globe, including gigs at renown clubs and festivals such as Fabric, Fuse, Mutek, and the Sonne Mond Sterne Festival and tours of Japan, Australia and South America .
Meanwhile, his rare but intricate rocking live shows surface every once in a while to remind us that his darkly-tinged, boiled-down beats and distantly unsettling grooves are one of the most precious jewels in the jagged DU crown. Check his killer releases Dumb-Unit, Trapez and WMF if you need any proof.
Somewhere between his smart, re-edit heavy sets, his vigorously spiky artist releases, and his scandalously consistent label, there lurks the charred, elusive heart of Jeremy P. Caulfield. The fun part is trying to find it.
http://i192.photobucket.com/albums/z42/iimedia/qBurns.jpg
http://www.myspace.com/qburnsabstractmessage
http://www.q-burnsabstractmessage.com
Q-BURNS ABSTRACT MESSAGE BIO:
In the realm of dance music, there are few producers that thrive on blurring the boundary between eclectic experimenter and populist ass-shaker as much as Q-Burns Abstract Message. Equally comfortable covering Krautrock legends Faust or dropping his favorite chunky house grooves into the mix, Q-BAM—known to his parents as Michael Donaldson—is indeed the rare auteur. Whether globe-trotting as a DJ, co-running the Eighth Dimension Records label, remixing artists like Rabbit in the Moon, Fila Brazillia and Lawrence Welk, or recording his own original productions, Donaldson is all about the coaxing the maximum soul out of the machine.
Based in Orlando since the early-’90s, the former record shop owner and college radio DJ has spent the past two decades developing a sound that is obsessively devoted to the funk. His animated, vodka-soaked DJ sets have won audiences for the well-traveled Donaldson from San Francisco to (literally) Siberia, and landed him primo opening slots for GusGus, Chemical Brothers and Meat Beat Manifesto.
However, it’s his playful rhythms, surprising melodic themes and not-so-surprising Eno-esque textures that demand attention. An accomplished indie musician prior to releasing his first single as Q-BAM—the breakbeat noir of “141 Revenge Street” in 1995—Donaldson is first and foremost a songwriter, albeit one that is just as enamored with the sheer power of the groove.
With a trusty Roland Juno 106 synth at his side, Q-BAM released three full-length albums via the respected electronic label Astralwerks, including Invisible Airline which featured several collaborations with vocalist Lisa Shaw. He has recorded numerous singles for house-centric imprints such as Brique Rouge, Slip N’ Slide, NRK and of course, Eighth Dimension. Q-BAM was also one of the talented producers on alt-country icon Jim White’s 2001 Luaka Bop release No Such Place. The album cast White’s stark vocals in a wasteland of dusty beats and ghostly slide guitars, with Donaldson’s tracks providing some of its most intoxicating moments.
Though his “endless summer” schedule—more than 100 DJ dates annually—and ongoing production projects would seemingly exhaust a mere mortal, Q-BAM rather enjoys this 120-bpm soundtrack. Accordingly, Donaldson and fellow Orlando producer/DJ Atnarko recently launched the vinyl-only label EIGHT-TRACKS, dedicated to releasing “strange sounds that you can dance to,” says Q-BAM himself. Additionally, house imprint Agave Records has tapped Donaldson to throw down a mix CD titled Agave Nectar Vol. 1, now available in fine records shops worldwide..
As if there wasn’t already enough deliciously warm and gooey queso already piled high on his plate, Q-BAM is also hard at work recording his fourth album, due out in 2008.